Welcome, children of the night! This Blog is for fans of vintage horror films as well as those who are just beginning to discover the joy of these classic movies. I'd love to hear from you!

Friday, September 28, 2018

Predator (1987)

Predator is an 80's horror classic that's sooo much better than its sequel. It stars Arnold Schwarzenegger as "Dutch," a cigar smoking commando who leads a band of hired soldiers on a covert mission in a Central American jungle. There are lots of shoot-em up's and explosions which is what one would expect in such a scenario. But then the hunters become prey for a mysterious extra-terrestrial warrior whom the audience does not get a glimpse of until much later in the film. All we see at first are the infrared images from the alien's hunting gear. This is actually very effective. It's what we don't see that makes the situation all the more intriguing.

Schwarzenegger gives one of his finest performances in this film. He was born to play a kick-ass soldier with keen survival skills. The best part of the movie is actually toward the end when it's just alien vs. Schwarzenegger. The confrontation between the two is epic.

Director John McTiernan [Die Hard, Rollerball remake] knows how to pace this film well, upping the tension until it reaches its climax. Just like Spielberg did with Jaws, he just shows us bits and pieces of the alien and saves the big reveal for later in the film. It works very well and creates tons of suspense and intrigue. The orchestral score by Alan Silvestri [The Polar Express, Avengers: Affinity War] adds to the viewing experience and ups the emotional feel of the film.

Horror Legend Stan Winston [Terminator 2, Aliens, Jurassic Park] re-designed the look of the Predator due to problems on the set with the original creature suit. He was recommended by Schwarzenegger and the result is an iconic creature design that's among the best in the business.

I can't recommend this one enough and am a little nervous to see the reboot of Predator that's coming out in a few weeks.

RATING: Excellent.

For more info check out the film's entry in IMDB.

Thursday, September 27, 2018

Predator 2 (1990)

Arnold Schwarzenegger, the star of the original film, passed on the sequel. So did director John McTiernan who opted to do The Hunt for Red October instead. Good call!  I had high hopes because the cast included Danny Glover [Lethal Weapon], Bill Paxton [Aliens] and Gary Busey [Lethal Weapon], but they could not save this over-acted, stereotyped, uneven film.

Here's the deal. Reviewers are all over the place with this movie. Some love it. Some hate it. I think the reason for this is that Predator 2 becomes a decent film once the Predator uncloaks itself. The last 20-30 minutes form a strong, cohesive story and are quite enjoyable. Unfortunately, the front end of Predator 2 is a mess. It's ridiculously overacted by everyone and the Jamaican drug gangsters look more like caricatures of gangsters rather than the real thing. It's just too much of everything: too much emotion, too many bullets, too many ridiculous lines uttered, etc. It's not exciting, it's mind-numbing.

So who is to blame for all of this? Let's start with co-writers Jim & John Thomas. They also wrote the screenplay for the original Predator film which I though was fun and interesting. But for whatever reason, they did not carry some of the mythos of the first film into the sequel. What's left its a dumbing down of the story where the alien is reduced to a simple killing machine who shoots anything that moves and utters one word epithets at the humans. Boring.

I also blame the director for amping up the action in Predator 2 to the point of Michael Bay ridiculousness. [That's not a compliment!] It's just noisy for no good reason and the action scenes are a bit of a jumbled mess. A little more restraint would have helped this film tremendously.

I do like action movies but I just couldn't get into this one. For those on IMDB who say that Predator 2 bested the original, I have no earthly idea why you think this is the case. Glad you enjoyed the film. I most certainly did not.


For more info check out the film's entry in IMDB.

Wednesday, September 5, 2018

The Man With Nine Lives (1940)

You need to know from the get go that there's a lot of pseudo-science in The Man With Nine Lives that is delivered with the seriousness of a medical textbook. I'm sure it sounded a lot more convincing in 1940, but if you ignore the ridiculousness of some of it, you will thoroughly enjoy this move.

Boris Karloff stars as Dr. Kravaal who is a pioneer in "frozen therapy," what we now call cryogenics. His goals are noble: To use this kind of therapy to eradicate diseases such as cancer. However, the good doctor disappeared 10 years earlier and was never found. Enter Dr. Tim Mason and his research assistant Judith Blair, who discover Kravaal's frozen body and are able to revive him. This is all you really need to know because the fun is watching what happens next.

Not surprisingly, Karloff is wonderful as Kravaal. He is not your typical "mad scientist" because his motives for doing what he does in the movie serve the greater good, at least in his mind. This makes the character more complex and interesting.

I also really enjoyed the performances of Roger Pryor who plays Dr. Mason, and Jo Ann Sayers who plays Judith. Prior was considered to be the "poor man's Clark Gable" at Universal and Columbia studios during the 30s and 40s. His dashing looks and charismatic presence serve him well in this role. Sayers is an absolute delight in her role as the research assistant. She is smart, self-assured and does not faint at the first sign of danger. This is a refreshing change to most women's roles we see in vintage horror films and I like it!

The sets are simple but interesting. Locating Kravaal's lab in a hidden underground facility give the movie a claustrophobic feel. The freezer rooms look like glaciers and really enhance the mood of the film. Director Nick Grande, who also directed Karloff in The Man They Could Not Hang, keeps the action moving at a nice pace and there are no lulls in the action once things get rolling.

The Man With Nine Lives is a little hard to find, but worth tracking down. I could not find it to watch for free online but it was included in Boris Karloff Collection - 6 Movie Set on Amazon. It was only $8.99 and well worth the price to see this classic horror movie.

So, definitely give this one a chance. It's a good vehicle for Karloff and an overall enjoyable little thriller.

RATING: Very Good.

For more info check out the film's entry in IMDB.

Monday, September 3, 2018

The Burning (1981)

The Burning is the poor man's version of Friday the 13th. The story begins with a camp prank gone awry. The camp's caretaker is horribly burned and comes back five years later to take revenge revenge on unsuspecting campers. Ho-Hum.

The cast has a few surprises with a young Jason Alexander [Frazier], Holly Hunter [The Incredibles] Brian Backer [Fast Times at Ridgemont High] and Fisher Stevens [Short Circuit]. This raises the quality of acting a step above most 1980's dead teenager movies.  However, I found myself being a little bored since the killer lurks a lot in the shadows and doesn't claim many victims until about an hour into the film. Much of the time I found myself waiting for something to happen that never really happens.

Tom Savini [Dawn of the Dead] did the special effects in this film which I knew would be a good thing. There are some pretty squirm-worthy kills, especially the scene on the raft. The monster reveal is also very good. However, it felt like Savini was being restrained by the director/producers regarding how much gore he could show. If you've seen his work, you know he can bring it! The effects are all good in The Burning, but it left me wanting more.

Rick Wakeman of the progressive rock band Yes did the soundtrack and its synth driven loops are very effective in setting the mood of the film. It is one of the highlights of The Burning.

I'm not sure how many horror camp stories we need. Friday the 13th still did it the best.  This one is a very distant third or fourth place.


For more info check out the film's entry in IMDB.

Monday, August 20, 2018

Psycho (1960)

"A boy's best friend is his mother." says Norman Bates in Alfred Hitchcock's masterpiece Psycho. Now that's a mouthful or maybe a knife-full!  Much has been written about this film. Simply stated, Psycho is the perfect horror film. Every scene is lit and edited beautifully. Hitchcock chose to do Psycho in black and white instead of color because he thought the blood would look more realistic. He also had trouble with the censors who swore that during the shower scene they saw Janet Leigh's breasts as well as the knife plunging into her. Hitchcock made them look at the scene again and upon closer examination they realized their own minds had filled in the details. Brilliant!

As a side note, Steven Spielberg followed Hitchcock's lead while filming Jaws (1975). They were having problems making the mechanical shark look realistic. So Speilberg showed very little of the shark during much of the film, allowing the audience to fill in all the gory details. This same filmmaking technique was also used to great effect in The Blair Witch Project (1999) where the "witch" is never seen on camera.

Anthony Perkin's portrayal of Norman Bates in Psycho is iconic. Everyone else in the cast is great as well. The musical score by Bernard Herrmann [who worked extensively with Hitchcock] greatly enhances the viewer's experience of the film. I think it's one of the greatest horror scores ever! I was lucky enough to come across the two DVD special edition set of Psycho [Universal Legacy Series] at a local used Book, CD and DVD store. The digitally remastered version is pure eye candy and the documentaries that accompany it are excellent and insightful.

I will not summarize the plot because if you haven't seen it, it will ruin your experience of the film. Don't read any more reviews. Just rent it or buy it and enjoy watching a director who is at the peak of his creative power. Pure genius.

RATING: Excellent.

For more info check out the film's entry in IMDB.

Saturday, August 18, 2018

Frankenstein (1931)

Frankenstein is, without a doubt, one of the greatest horror films of all time. It is also one of the greatest films period. What director James Whale accomplished with Frankenstein is nothing short of perfection. As you watch it, notice the angles and forced perspectives of the graveyard, the tower and the final chase scenes. There is hardly a perpendicular line to be found anywhere. Furthermore, the stage backdrops with their dark backlit clouds set an ominous tone that enhances the film greatly. In contrast to these scenes the "normal" places are shot on location and everything is neat and clean: The town, the lake, Baron Frankenstein's mansion. Amazing cinematography for 1931 or any year for that matter.

Boris Karloff's Monster is sheer perfection. (Thanks to the legendary Fx icon Jack Pierce.) The make-up is flawless and Karloff's ability to make that heavy costume come to life is astonishing. In the documentary that accompanies the film they said that Karloff suffered back problems because of the sheer weight of the Monster's costume. When he was  on break he had to sit in a special reclining chair in order to get some relief. Colin Clive is perfect as Henry Frankenstein. He embodies his character with touches of brilliance, ego and insanity all rolled up into one. Edward Van Sloan as Dr. Waldman also gives a knockout performance [Is it just me or does he provide the inspiration for the Criminologist in Rocky Horror Picture Show?] as does Dr. Frankenstein's side kick, Dwight Frye as Fritz [not Egor!!!].

I've seen every remake and incarnation of Frankenstein and none of them can light a candle to the original. It has inspired countless filmmakers and fans alike. If you've never seen it, put this one on the top of your list. Furthermore, if you're a fan of Frankenstein and you've never seen Bill Condon's Gods and Monsters (1998) I consider it to be a fitting tribute to one of the greatest directors of all time. I don't believe that Frankenstein can be viewed for free online, If you know differently, let me know. I own Frankenstein: The Legacy Collection which includes not only the original film but the four sequels that followed. It's well worth the purchase price. Personally, to see this film online with poor resolution is a crime. See it on the best screen possible.

RATING: Excellent.

For more info check out the film's entry in IMDB.

Tuesday, August 14, 2018

The Black Room (1935)

After he finished filming the horror classic The Raven with Bela Lugosi, Boris Karloff jumped right into making The Black Room. This film is not well-known among horror fans, but it should be. The Black Room shows Karloff at his best and proves that he is an amazing actor with or without monster make-up. This is definitely his film, and everyone else is along for the ride.

Karloff plays twin brothers Gregor and Anton who come from a wealthy family with an ancient prophecy that the younger twin will meet his demise by the hands of the older twin in the castle's black room. Karloff has a ball playing Gregor, who is the younger ruthless one, but brings a different kind of intensity to Anton who is the compassionate older twin. Both characters are fully developed and the audience knows immediately which one is on screen. The best part of his performance, however, is when Anton meets his demise and Gregor assumes his identity. Karloff creates a third character who is mostly Anton but we can see Gregor seething beneath the surface. Bravo! Well done!

The rest of the cast is quite good as well and support Karloff's masterful performance. Perhaps the most well known among them is Marian Marsh [Svengali] who is Gregor's love interest, even if she's not interested in him! She gives a lot of emotional depth to a role that could have easily ended up as window dressing.

Kudos to director Roy Willian Neill [Frankenstein Meets the Wolf Man, Spider Woman] who knows how to pace a thriller. It's a quick run time [63 min] and no scene is wasted. Everything serves to drive the plot forward.

I also enjoyed the graveyard set which is absolutely gorgeous. It reminds me a lot of Frankenstein (1931) with it's beautifully painted background and lush details. The castle set is also built well with lots of attention to detail.

If you are a Karloff fan, this one is a must-see. It's always a pleasure to watch him do what he does so well. This film would also appeal to those who are a little squeamish when it comes to gore, but enjoy a good crime thriller.

As a final note, you can see the ending of this movie coming from a mile away, but this did not stop me from enjoying watching what happens to Gregor in the films closing moments. Fun stuff, indeed!

RATING: Very Good.

For more info check out the film's entry in IMDB.