Only the late 60's and early 70's could give birth to this wild reinterpretation of the Frankenstein story. Rosalba Neri is delightful as the daughter of Baron Frankenstein who returns home after having become a "surgeon" and is determined to assist her father in his research. She is a force to be reckoned with: smart, sexy, ambitious and just a little bit crazy. Perfect! The film starts out as a woman's liberation tale but gets stranger as the plot develops which is a good thing. The basic moral of the story is if you bring the dead back to life, you die. If you have sex, you die. If you bring the dead back to life and have sex with them...well, I think you can figure out the rest for yourself.
The Frankenstein monster is a bit more like Michael Meyers in Hallloween (1978) than Boris Karloff's iconic performance in the original Frankenstein (1931). There is no sympathy for the monster here. He is a not so lean, mean killing machine. This movie is so much better than I thought it would be. I found it thoroughly entertaining and am glad I stumbled upon it. Warning to the timid: There is a little bit of T&A in this film. But since you're a fan of horror, I hardly think this will shock you.
The one unintentionally funny thing for me in Lady Frankenstein is the mob with torches and pitchforks. Does every village have one of these? Where do they keep their torches when they're not using them? How do they keep them lit while they go about their vigilante justice? Inquiring minds want to know.
RATING: Very Good.
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For more info check out the film's entry in IMDB.